Unlike the harping, carping Daily Mail, I am a big supporter of pubic service broadcasting in particular; the BBC in general; and Mark Thompson as Director General – most of the time. But I do believe that the mighty Corporation, started and developed by the uncompromising Lord Reith, is at its lowest ebb in its 90-year history, creatively and structurally.
Recently we had The Daily Mail spotlighting Peter Salmon, so-called Director of the North, and his decision to keep his main home in London after persuading hundreds of staff to up sticks and move to the less than delightful Salford -oddly home to Manchester United. Well, why shouldn’t he ? His children are at critical points in their education and need continuity at this moment.
It’s worth noting that the multi-millionaire editor-in-chief of the Daily Mail, who earns about twice as much as the BBC’s Director General, lives on a vast estate in Scotland, about as far from his empire as possible. And, of course, the owner of the Daily Mail lives on a vast estate in England while claiming to non-domiciled for the purposes of tax – quite legally I’m sure. Isn’t it odd how many newspaper proprietors avoid taxation in the UK and yet bleat away about ‘tax dodgers’ in their publications ?
Hypocrisy reigns as usual in ‘Fleet Street.’
But Peter Salmon is an interesting case, representative of the weakness of the BBC, for quite a different reason than his living preference. Mr Salmon is a former uninspired Controller of BBC I when it went through a creatively arid period. Then he became a mediocre Director of Sport who trod water rater than drove the department to greater glory. (I declare an interest here – I worked in BBC Sport at the time). All the time his remuneration was rocketing as though he was indispensable to the BBC’s progress. A vague period followed when he dabbled in diversity and married an ITV actress before becoming the man in charge of ‘The Great Shift North’ on a reported salary in excess of £400,000 ! Justify that one !
Unfortunately Peter Salmon is becoming a metaphor for the failings of the BBC. Why on earth is the Corporation spending millions and millions of licence-fee pounds to move a few thousand reluctant staff and countless programmes to Salford? It is the political correctness of the organisation gone stark, staring mad ! Who cares where the programmes come from ? Certainly not the audience. You’d be hard-pressed to guess which region is credited for programmes like ‘Dr Who’, ‘Casualty’ and ‘Newsnight’.
The current Controller of BBC I has been likened by a member of BBC staff to ‘a shallow pond.’ One glance at the schedules is enough to set one nodding in agreement. The other night a whole hour of prime time was devoted to ‘cop car chases’ using cheap film from the police themselves. This sort of trash is on every other commercial channel – where it belongs. What the hell is the BBC doing transmitting such tosh – and in prime time ?
Turn to BBC2. The other night I counted SEVENTEEN repeats out of 20 programmes on the channel. What do we pay a licence-fee for ? ’Top Gear’ and ‘University Challenge’ are repeated the following day, for God’s sake. BBC 3 is a nod to ‘yooth’ and, having not moved beyond glancing occasionally at a programme guide, I’ll refrain from comment, other than to say that, in general terms, it is good to have a separate channel for the bizarre and colourful desires of the younger generation. Then there’s BBC 4 beavering away in the background, putting out a lot of the programmes that should be on BBC 2 and even BBC 1. Get rid of Four and get decent programme commissioners and schedulers for One and Two.
Jana Bennett, the quaintly titled Director of Vision, has declared in the past few days that she wants more diverse accents throughout the BBC. Has she watched and listened recently ? There’s every accent under the sun featured from opaque Scottish (like the unintelligible Lorraine Kelly on ITV) to Welsh, Geordie, Brummy, and Irish – except plain, correctly spoken English, unless you accept the excellent George Alagiah reading the news in his engaging, friendly yet authoritative voice (far better than that brittle Welshman Huw Edwards, who spouts tension like a rabbit in the headlights). Every character in the Archers has a different accent. I thought it was supposed to be an everyday story of ‘countryfolk.’ !
The BBC is obsessed with minority representation. Gay and non-white British people are over-represented on the BBC. There are vast stretches of the United Kingdom that have almost no black or Asian people living in them (while some cities have a high concentration) yet the ratio on BBC does not represent the average, especially in children’s television. I am not a racist before some of you start screaming. I welcome the diversity in England and Great Britain as a whole but the BBC is there to reflect our society – not to positively discriminate for certain minorities. Look at Saturday night on BBC I. It’s almost compulsory to be homosexual to get a programme on there. Nothing against the individuals – I enjoy Dale Winton on the Lottery show immensely. Graham Norton I can live without, although he was good on Channel Four. The BBC simply doesn’t know what to do with him.
Andrew Pierce wrote a good piece in – heavens ! – The Daily Mail the other day berating television for forcing gay presenters to be so archly camp and thus stereotyping them worse than any other medium. I agree with him.
But the really good programmes on the BBC are now few and far between. There are some evenings when it is not worth switching the set on. Thank goodness for hard-disc recording which enables one to catch up on worthwhile programmes on other channels which have been missed for one reason or another – like going out and having a life.
The BBC’s craven PR department, always on full defensive alert and never attempting to build an appropriate image for the Corporation, will immediately trot out ‘Ashes to Ashes’ or ‘The Silence’ as (very sporadic) examples of their great work. Ashes was a great idea, well produced over just a few series, rather than being drummed to death, which is the BBC’s preference (‘All in the Family still running after nine years ?). But where are the contemporary dramas written by playwrights of today and starring actors of note ? Absent – too expensive. Bring on another cop chase documentary.
Where are the new comedies? Hoorah, here comes ‘Rev’ – the first good meaningful comedy in years.
The BBC moves swiftly to respond to political criticism to guard its precious licence fee. But it is clumsy, articulate and totally missing the point. Get rid of 10,000 staff; cancel the ludicrous move to Salford; cut down the regional empires – and put the huge savings into original, creative programmes like ‘Who Do You Think You Are?’ one of the very few original ideas the BBC has had in years. What happened to the staff cut of 5,000 promised by Mark Thompson ? I’d lay good money that the staff numbers have risen rather than fallen.
There’s a whole swathe of middle management at the BBC that exists solely to have meetings among itself and has nothing whatsoever to do with making or broadcasting programmes. I know, I saw them in action when I worked there. It’s absurd how many non-jobs there are in the Corporation and Mark Thompson needs to have the courage to slash and burn through the overhead. Cut the bloated News department that seems to need a separate crew and presenter for every news bulletin, nationally and regionally. BBC News is poor – relying almost entirely on Government propoganda and natural disasters that provide good pictures. BBC News 24 is flabby and lacks journalistic integrity, running film clips over and over again during a report because they’ve got nothing else. What’s wrong with watching a person talking ? BBC Breakfast is excruciating and so twinset and pearls. And let’s not get into the blatant left-wing bias……….
The BBC has a vast news-gathering organisation but, instead of being one centralised, newspaper-style operation it is a myriad number of kingdoms. The BBC gathers a huge amount of news throughout the country. Here’s where it could reflect the United Kingdom properly by selecting the best stories from around the country and making up a news bulletin from that instead lamely relying on handouts and propoganda. Life is out there and sometimes it is covered by BBC regions but the national news operation would rather be off-air than incorporate the many good stories to which it has access.
What do people like John Simpson do for their vast salaries ? He pops up every few months to pontificate from some country or other with his view on some situation which has already been covered by a dozen other BBC representatives, and he adds nothing to our knowledge and understanding. Get rid of him and the many others like him.
Get rid of the channel controllers and the old arts supremo himself Alan Yentob. He’s been there too long and too few of his ‘Imagine’ programmes include imagination in them. And he’s well past the BBC retirement age which seems to have escaped the notice of Thompson and HR.
A BBC slimmed down to about 15,000 people, focussed on making new and original programmes instead of vehicles for over-exposing existing talent (Hammond and May of ‘Top Gear’ take note), and putting out repeats in day-time for people to either watch or record, could win over its political opponents – and even the Daily Mail.
Stop apologising; stop repeating; stop pandering to pressure groups and minorities; be ambitious and creative with new programmes and serve the public up some wonderful, stimulating, programming – instead of cop car chases on BBC I.